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Robert McKee
United States
Приєднався 20 тра 2007
Robert McKee, a Fulbright Scholar, is the most sought-after screenwriting lecturer around the globe. He has dedicated the last 40 years to educating and mentoring screenwriters, novelists, playwrights, poets, documentary makers, producers, and directors internationally. Those who have learned from McKee have called him “the Aristotle of our time” because of his insight into the substance, structure, style, and principles of the grand art of story.
How Do Story Principles Apply to TV Writing? | Robert McKee Answers
Original Post Date: September 28, 2011 - McKee discusses how storytellers should approach character arcs and levels of conflict when writing for television.
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Відео
Is Your Premise Worth Pursuing? | Robert McKee Answers
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Original Post Date: December 22, 2010 - Robert McKee teaches the importance of using step outlines and pitches in the writing process, and how to decide if your initial premise can be developed into a story that hooks and holds an audience from first page to last.
What to Keep and What to Cut | Robert McKee Answers
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Original Post Date: June 16, 2014 - Robert McKee discusses how to decide what's working in a scene, and how writing your climax leads to a retroactive edit of your story.
Character Traits vs. Contradictions | Robert McKee Answers
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Original Post Date: October 30, 2012 - Robert McKee explains the difference between character traits and contradictions, and how to create a fully formed, compelling protagonist.
What's the Most Important Aspect of the Craft to Master? | Robert McKee Answers
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Original Post Date: June 24, 2014 - McKee explains there are no shortcuts to success when it comes to writing.
What's the Difference Between Scenes and Camera Angles? | Robert McKee Answers
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Original Post Date: July 7, 2014 - Robert McKee teaches the difference between scenes and camera angles, why screenwriters often confuse the two, and explains the essential component of every key moment in a story.
Creating Character Choices | Robert McKee Answers
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Original Post Date: February 24, 2010 - Robert McKee teaches the relationship between spontaneity and reflective analysis when writing a story, and how a balance of both is crucial to creating scenes that work.
Can You Break Story Principles? | Robert McKee Answers
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Original Post Date: September 17, 2013 - Robert McKee teaches the benefits and dangers of breaking storytelling principles, with reference to the Coen Brothers movie THE MAN WHO WASN'T THERE.
Why Does Your Story Need a Controlling Idea? | Robert McKee Answers
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Original Post Date: June 7, 2011 - Robert McKee teaches the key purpose of stories, and how writers can fully express an idea through the climatic event of a telling.
Taking Comedic Characters to the Limit | Robert McKee Answers
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Original Post Date: May 15, 2012 - In this Q&A from a live seminar, Robert McKee explains how the principle of taking your characters to the very limits of story applies when writing a comedy.
Does the Audience Need to Know a Character's Motivations? | Robert McKee Answers
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Robert McKee teaches the nature of motivation, discussing how much of it writer’s might share with the audience, and how master storytellers employ this key principle.
Can a Single Scene Turn Multiple Plots? | Robert McKee Answers
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Original Post Date: July 22, 2010 - Robert McKee delivers a mini-lesson on how writers can maximize the purpose of a scene by using it to progress the plots of multiple characters. McKee uses the examples of KNIGHT & DAY, TOY STORY 3, and AVATAR.
Writing Exposition for Television Pilots | Robert McKee Answers
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Original Post Date: October 29, 2013 - Robert McKee teaches the best way to approach the use of exposition when writing a multi-character television pilot.
What Do You Do If Your Writing Veers Away From Your Inspiration? | Robert McKee Answers
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Original Post Date: March 23, 2010 - McKee teaches the importance of listening to your subconscious when writing, and how for talented writers, the real story is already written; their job is to get out of its way.
At What Stage Should You Rewrite? | Robert McKee Answers
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Original Post Date: May 27th, 2010 - Robert McKee teaches the definition of “rewriting” and the importance of doing so at every stage of story creation.
Truth and Myth in Story | Robert McKee Answers
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Truth and Myth in Story | Robert McKee Answers
Writing with Passion | Robert McKee Answers
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Writing with Passion | Robert McKee Answers
Arousing Concern for Your Protagonist | Robert McKee Answers
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Arousing Concern for Your Protagonist | Robert McKee Answers
Truth and Idealism in Story | Robert McKee Answers
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Truth and Idealism in Story | Robert McKee Answers
Why Should Writers Express Meaning Through Story? | Robert McKee Answers
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Why Should Writers Express Meaning Through Story? | Robert McKee Answers
Finding Your Voice | Robert McKee Answers
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Finding Your Voice | Robert McKee Answers
Creativity vs. Innovation | Robert McKee Answers
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Creativity vs. Innovation | Robert McKee Answers
Reversing Your Story's Genre | Robert McKee Answers
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Reversing Your Story's Genre | Robert McKee Answers
Why Is Quality Writing So Rare? | Robert McKee Answers
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Why Is Quality Writing So Rare? | Robert McKee Answers
Do You Have to Write Out All Your Drafts? | Robert McKee Answers
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Do You Have to Write Out All Your Drafts? | Robert McKee Answers
Creating Empathy for Secondary Characters | Robert McKee Answers
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Creating Empathy for Secondary Characters | Robert McKee Answers
Drama vs. Dialogue | Robert McKee Answers
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Drama vs. Dialogue | Robert McKee Answers
How To Use Story Form To Express Your Worldview | Robert McKee Answers
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How To Use Story Form To Express Your Worldview | Robert McKee Answers
Do Screenwriters Supply a Film's Image System? | Robert McKee Answers
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Do Screenwriters Supply a Film's Image System? | Robert McKee Answers
Keeping Your Image System Subconscious | Robert McKee Answers
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Keeping Your Image System Subconscious | Robert McKee Answers
Thank you sir
Thank you
1. **Identify the Protagonist**: Determine who the protagonist is by looking at the character making the crisis decision at the climax. This character often appears most frequently but might share the spotlight with others. 2. **Understand the Character's Desires**: Analyze what the protagonist consciously wants and explore any subconscious desires that may contradict their conscious goals, leading to inner conflicts. 3. **Analyze Choices and Antagonism**: Study the protagonist’s actions and the sources of antagonism they face, which can stem from inner conflicts, personal relationships, societal issues, physical struggles, and core values like truth, love, and justice. 4. **Examine Core Values and Themes**: Identify the essential values at the heart of the story and determine how the absence of these values would affect the narrative. Look for the story’s core value that drives the plot. 5. **Track Changes and Turning Points**: Observe how the protagonist’s situations and values shift from positive to negative or vice versa throughout the story. Analyze the turning points in each scene and recognize the setups and payoffs that showcase the writer’s technique.
Mr. Mc Kee, what a great explanation. It`'s good to know that the story we tell must confront both those who tell it and those who will later see it.
I know McKee doesn't want to be love, but man, it's so hard not to do so ❤
The way I interpreted the question, and perhaps I’m projecting, is what is the first step or two you need to take after you have inspiration and even a good start fleshed out?
I believe that rhythm works like music as per story mode.
Incredible insights. But I do rank you. I rank you higher than most in teaching your craft. 👍 Thanks much
What is the difference between main idea and controlling idea? They are sometimes used interchangeably?
Absolutely perfectly true and unambiguosly wise. McKee has a wise voice.
Brian Cox is amazing
Thank you so Much!
Great Advice! Thank you!
I've looked far and wide on the internet and youtube... This is by far the simplest explanation that is helpful. Thank you!
When the inside is like the outside and outside like the inside
Wow
So well spoken
I'm worried about Russell's current work. He seemed to be a left leaning guy olive branching to the right, but lately he seems to pander to the right, maybe even sincerely changed his politics. It's odd.
Where exactly did Aristotle say this? Because I can't find it.
Future writer and director here
So true, they can’t be ranked. It’s a fallacy. It’s wrong to do so.
Thank you sir
This is so great because in act III the movie is kinda like if charlies brothers had written it
Is this who norm macdonald and drake sather took a class from?
Listen marjorie, that story about your son dying. Kind of a yawner
All movies start with Once Upon a Time.
Fascinating.
"Writing a text while imagining the subtext doesn't work" -- Robert Mckee
"Dialogue is an action that characters take to get what they really want" -- Robert McKee
Per me è davvero importante perché è un'idea che mi "perseguita" da 30 anni e per paura, procrastinazione, codardia e molto di più, è un progetto che ho relegato nei meandri più reconditi del mio subconscio. Ora voglio affrontare il TUTTO...sara' comunque un successo!
Sounds like McKee feels the bar is low for character arc in horror. Especially in slashers.
Thank you sir.
Remembered the Adaptation scene when Nicolas Cage asks McKee almost the same question.
Damn it. Really needed to hear this. Thanks!
love jazz
Comedy writing is indeed a brilliant art form.
Thank you sir
0:58 fantastic
Mr. McKee looks like he's about to tell you to pursue accounting! The look on his face is priceless, like he's at a bar and a dude just asked him how to get it on with a chick. If you haven't got a clue, you might at well skip it.
Merci de mettre ces connaissances à disposition de tous gratuitement !
2:27 very scary to think she had to sacrifice her art and life.
I think the education system probably needs to focus on developing talent in arts. The world is too focused on developing talent in the sciences in the commerce neglecting the arts
If you're starting for theme first (which i prefer) the flaw has to relate to that.
I've watched a ton of writing advice channels - there some very good instructors out there - and a great many poor - Robert McKee is the best.
Sometimes you may have to cut a scene that's written beautifully. No matter how beautiful, if it doesn't propel the plot, no need for it.
Imagine how that would impact Home Alone, Die Hard, and Game of Thrones. I mean, in GOT, everything just gets cut off.
You can't handle the truth
This is a huge point. It's a skill, that applies to everything in one's life. You could be a clerk in grocery store and find something to be passionate about - the reward of making a customer a bit happier for example. I've met grocery clerks who made my day a little bit better. And some who did the opposite. Be passionate about life and it will show in your writing.
Oh, this is very well said.
me gusta la canción del principio
All screenwriting students should study this man's work.